Objectives
Students will collaborate to complete an animation using the technique of pixilation. They will also be able to identify and discuss the work of Norman McLaren and they will explore more advanced concepts of framing.

Introduction

Pixilation, a middle-tech method for making animation, is great to use with learners of all ages and abilities because it is engaging, participatory, and can be made without special props or materials. Have students view and discuss Norman McLaren, who created many examples of pixilations including the Oscar-winning, anti-war film Neighbours (1952), as well as the amusing and surreal The Chairy Tale (1957). More recent examples are the Bolex Brothers' The Secret Adventures of Tom Thumb (available on video) and the films of Paul De Nooijer.

Critical Viewing
Described as the most eloquent plea for peace ever filmed, Neighbours shows how a neighborly misunderstanding escalates into genocide. Viewing this animation can also lead to an interesting class discussion regarding how the movie’s climax (in which wives and children are slaughtered) was sometimes censored because the sequence’s effect was so shocking to sensibilities of the time. Click Here To View Questions.

 


Terrific Car Crash


Materials
Tripod
Video Camcorder
Firewire cable
Computer (preferably laptop)
Framethief Software

 


Walking on Hands


Set-up
To prepare for pixilation exercises consider the following:

  • Clear up a space in the classroom for performing.
  • Set up Camera with Tripod pointing at the cleared out area.
  • Connect camera to a computer station and open FrameThief.
  • Let a student operate the camera and demonstrate the process yourself.


Different ways to Pixilate:

  • Shoot straight video and show it without editing.

  • Capturing frames directly into FrameThief as described in Stop Motion Lesson Plan.

  • Shooting 'stills' in camera and then using FrameThief to capture the frames as you play the tape back. Capturing 2 to 4 frames per still will work unless you want the fast 30fps look.

  • Shooting straight video and then use Final Cut to pixilate it by speeding up the video (which will remove frames), exporting it, re-importing it, and slowing it down again. The result will be the loss of the intermediate frames (uncheck frame blending in the speed dialog). It is important to remember however, that pixilation is more than just accelerated or stuttering video!
Exercise 1: Class Collaboration
Discuss ideas for a class collaboration using pixilation as the primary technique. Ask for two student volunteers: one as the leader, who will decide on the pose and lead the others in a line, and another who will act as the director for this animation exercise.


Exercise 2: Small Group Collaboration

Have student form into groups of 3 to 5. Each group will be in charge of creating an animation using pixilation as the primary technique. The duration should be at least 30 seconds but no longer than 2 minutes.

Click to View Example


Have students consider:

  • Advance planning is critical. Pixilation is very expressive and surprising, so it is often used with humorous intent.

  • Pixilation excels at presenting things in a believable way that are otherwise unbelievable.

  • Pixilation permits the impossible to appear possible. For example, a person can appear to fly, which is achieved by having the subject jump into the air precisely as the camera clicks off a single frame, over and over again.

  • The footage can be manipulated using different programs to create a variety of visual variations: color shifts, pace shifts, blurring, backwards, etc.

  • Be sure you light appropriately and consistently; nothing can ruin pixilation like having the lights moving in every still shot (unless it is perhaps done deliberately for a 'flicker' effect.)

  • Sometimes pixilation is not easy for the performers because each individual pose for every frame should be completely controlled.


Evaluation
Instructors may evaluate this project using the general rubric provided. Select or add criteria depending upon the needs or levels of your students, and/or other curricular concerns. This lesson introduces new terminology therefore instructors should give a quiz about vocabulary such as pixilation and framing, about the artists Norman McLaren and his work, and about new software and its uses if applicable. In addition to that formal final assessment, I encourage teachers to conduct informal, in-progress assessment thinking about questions like these:

  • How consistent is each group's style throughout the pixilation process?

  • How identifiable and consistent is each group's style throughout the animation process?


 
 
 

© 2008 Karin Gunn. All rights reserved.
Last Updated: February 2008